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FUTURA ND

Futura is one of the best known and most widely used of modern typefaces. Designed by Paul Renner between 1924-1927 for the Bauersche Giesserei, it remains today one of the most successful typefaces due to its simplicity of features, perfect legibility and meticulous finish of each of its letters.

Futura is a Trademark of BauerTypes SL

DOWNLOAD SPECIMEN


20 INDIVIDUAL STYLES

Available for DESKTOP | WEB | APP | ePub | SERVER | OEM licences

LICENSES

DESKTOP

The Desktop license allows you to install the fonts on the number of computers (CPU’s) for which the license has been purchased and use them in the programs installed on the computer. It allows you to create documents, static images, presentations or layouts for printing or publishing.

LICENCIA EULA

WEB

The web license allows you to use the fonts in web environments, in the purchased domains and for a period of time that will be renewed at the end of the contract. The range of use depends on the number of web users, number of visits, server or domains, among other variables.

LICENCIA EULA

OEM license

An individual OEM product license with licensing contract (stipulated by NDA [non-disclosure agreement]). This license is required for products in which the typographic software (fonts or parts of the fonts) is combined with hardware or software created or programmed by the OEM, such that it appears as its own product.


APP

The mobile apps license permits integration of fonts on the iOS, Android, and Windows RT platforms. Each license is specific to a single platform and is valid for the application’s entire lifespan. Acquiring new licenses is not necessary for free updates, If the font is not integrated directly in the app, for example if it is used to create a static image, you will need a desktop font license.


ePub

The electronic publications license permits integrating a font into electronic documents such as e-books or electronic magazines or newspapers. Each license is valid for a single title, for the duration of its functional lifespan. If the font is not integrated directly into the electronic publication, for example if it is used to create a static image such as the cover of an e-book, you will need a desktop font license.

SERVERs

The server license permits installation of fonts on servers accessible to remote users and webpage visitors. Users must not download typographical data or use it outside of the server. The font should not be used on a SAAS (software as a service) application, where the service is in fact the product, rather than the medium used. A server license covers a specific number of production servers on which the font is installed.

third parties

This license allows you to share the typography with co-agents, advertising or branding agencies, developers or other external collaborators. This will be a desktop license and the range will depend on the number of computers required.

COMmERCIAL

Although it may seem confusing, a commercial license is nothing more than a distribution license for products that, in their design, the licensed typography provides a differential value. Products such as clothing, merchandising or packaging, are considered to need a separate license because of the differential value that the typography can provide

digital marketing

This license allows you to publish marketing actions at a digital level, including ads on social networks, automated campaigns and other advertising elements. The rank depends on the number of impacts of the campaign. The own social media publications use a separate license.

About our licences
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INFO

OPENTYPE FEATURES

OT__access-all-alternates   Access all alternates
OT__proportional-lining   Proportional lining figures
  Tabular lining figures
OT__proportional-lining   Proportional oldstyle figures
  Tabular oldstyle figures
OT__fractions   Fractions
OT__discretionary-alternates   Discretionary ligatures 
OT__standard-ligatures   Standard ligatures
OT__ordinals   Ordinals
OT__small-caps   Small caps
OT__small-caps-froma-caps   Small caps from capitals

LANGUAGES

90 languages

A afrikáans · albanés · alemán, bajo alemán · arvanítico  [latin] · asturiano  B bácico  [latin] · bislama · bosnio  [latin] · bretón  C casubio · catalán · chamorro · checo · croata  D danés  E eslovaco · esloveno · español · estonian  F feroés · finlandés · franco-provenzal · francés · frisón, frisón occidental, frisón oriental, frisón septentrional · friulano  G gaélico escocés, gaelico manés · gallego · groenlandés  H holandés · húngaro  I indonesio · inglés · islandés · interlingua · irlandés · italiano   J judeo-tat  K karaim  [latin] · kurdo  [latin] · kurmanji  L ladino · luxemburgués  M malayo [latin] · malgache · marshalés · moldavo  [latin]  N noruego: Bokmål, nynorsk  O occitano  P pilipino (tagalo) · polaco · portugués  R retrorromance · romanche · romaní · rumano  S sami inari, sami lule, sami meridional, sami septentrional, sami ume · samoano · serbio  [latin] · sesotho austral, sesotho septentrional· somalí · sorabo: bajo sorabo, alto sorabo · sueco  T tahitiano · tártaro: tártaro de Baraba, tártaro de Crimea  [latin], tártaro de Kazan  [latin] · tongano · tsakhur  [latin] · tsonga · tsuana · turco  U ubijé  V valón · våmhusmål · vasco · vepsio X xhosa  Y  yapés  Z zulú.

ABOUT

Futura was originally designed between 1924 and 1927 by Paul Renner, a profi writer on typography, and director of the Master School for German Printers in Munich. The true origins of Futura never die; recently there has been new focus on the famous typeface in numerous publications, events and exhibitions. The book Futura, une Gloire Typographique has found worldwide acclaim and the city of Frankfurt, the cradle of the Bauersche Giesserei, as well as the Gutenberg Museum in Mainz, organized two exhibitions in 2016, in the honor of Futura.

Futura continues tirelessly its key role in the corporate image and identity of innovative companies and global players and designers and graphic artists love it’s no-nonsense shapes and powerful letters.

Its great variety in truly designed styles and weights now make Futura particularly fit for distinguished user interfaces, information displays, smart watches, e-readers, television apps, technical appliances and internet related uses.

Paul Renner was born in Germany in 1878. He worked as a graphic designer, typographer, painter and teacher. In 1926 he was appointed director of the Printing Trade School of the city of Munich and is co-founder and director of the Master School for Germany’s Printers in Munich. Its main contribution to typographic design is the Futura, which he designed during 1924 and 1927 for the company Bauersche Giesserei in Frankfurt, under Georg´s Hartmann management. Paul Renner died in 1956 and his original drawings of the type Futura is kept at Bauer Types, Barcelona.

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Copyright © 2022 Bauer Types, S.L. | All rights reserved